Nadyia Lvov

modern compositionCalming PotPoland

Releases

Performances

Every so often I play somewhere tiny around Poland — a back room, a little hall, once a kitchen. Never big, never really advertised. If you'd host one, message me.

Booking enquiries

Sleeve notes

Like in Old MoviesA single mood held for the length of the record — old cinema, mostly.
Old NegativesA single mood held for the length of the record — nostalgia, mostly.
Our TownsA single mood held for the length of the record — grace, mostly.

Where to listen

Spotify Apple Music

In the lineage of Erik Satie · Claude Debussy · Ludovico's quiet school · Federico Mompou · Harold Budd

Questions

Why is it all so… slow?
Because modern composition isn't trying to win the room. It's nostalgia, mostly — made to sit underneath a moment rather than interrupt it.
Where was this recorded?
In small rooms, close-mic'd. The room is part of the sound; that's deliberate.
What am I actually hearing?
Mostly piano, in modern composition. Influences somewhere in the background: Erik Satie, Claude Debussy, Ludovico's quiet school.
Can I license this for film, TV or a project?
Yes — everything here is available for sync and licensing through the label. Use the enquiries link and tell me about the project.
Can I use a track in a video / podcast / game?
Get in touch through the label with the details. Small and independent projects are welcome to ask.

About

Piano as if seen through the grain of an old film — remembered rather than lived.

It's modern composition, played on the piano, and if I'm honest it's a diary about old cinema that I decided to score instead of write.

The records — “Like in Old Movies”, “Old Negatives”, “Our Towns” — are entries, really. One continuous notebook.